Monday, February 14, 2011
Monday, February 7, 2011
Accidental Mysteries has a great blog post about the "Hidden Mothers" phenomenon in early photography. The blogger writes:
PHOTOGRAPHY BUFFS may already know about the “hidden mother” in early photographs, but some of my readers may not.... You see, most infants during that time were photographed with their mothers holding them. The intended picture was ultimately headed for a frame or mat, so the child would sit in the mothers lap for the photo. When the picture was taken, the mother simply was cropped out to serve as the backdrop.
Flickr has a pool of tintypes and cabinet cards to see examples.
Tuesday, February 1, 2011
Tuesday, January 25, 2011
The Library of Congress's Flickr collection includes 700+ high-res scans of ambrotype and tintype photos of US Civil War soldiers. "These fascinating photographs represent the impact of the war, which involved many young enlisted men and the deaths of more than 600,000 soldiers. The photos feature details that enhance their interest, including horses, drums, muskets, rifles, revolvers, hats and caps, canteens, and a guitar. Among the rarest images are African Americans in uniform, sailors, a Lincoln campaign button, and portraits with families, women, and girls and boys."
Visit Civil War Faces.
Visit Civil War Faces.
Thursday, January 20, 2011
My review of Preserving Archives & Manuscripts by Mary Lynn Ritzenthaler.(Chicago: Society of American Archivists, 2010).
Published in Journal of Academic Librarianship, forthcoming.
Preserving Archives and Manuscripts is an authoritative guide for those responsible for the preservation of archives, manuscripts, and historical collections, encompassing a range of materials found in such repositories and addressing practical means of implementing preservation programs. Ritzenthaler, Director of the Document Conservation Division at the National Archives and Records Administration, explains that preservation is “an integral component of all archival issues, functions, and decision making….Guidance is provided on optimum practice while recognizing that progress, of necessity, is usually made in slow steps based on institutional resources and the relative value, use, and stability of records within large holdings” (9, xviii). Noting that preservation is “a core management function and a primary ethical responsibility” of the custodians of historical records, the book accentuates the integration of preservation and archival management with special attention given to changing the way materials are handled and processed (xvii).
Chapters address the implementation of a preservation program, archival materials as physical objects, causes of deterioration and damage, creating a preservation environment, handling archival materials, storage and housing, integrating preservation and archival management, copying and reformatting, and conservation treatment. Appendices include a glossary, a bibliography and selected readings, basic preservation procedures, supplies and equipment, regional conservation centers, funding sources, and other topics. Notes Ritzenthaler, “The goal [for preservation programs] is to approach and understand archival materials in a way that combines intellectual interest in their content with a curiosity regarding their physical nature” (94).
The book is meant to be an institutional handbook where “preservation is addressed from programmatic perspectives that emphasize decision making and balancing multiple priorities” and “not a manual of preservation techniques” (xviii). However, the book abounds with technical information, and a reader new to the subject is challenged to connect the technical minutia into a cohesive whole.
The new edition emerges at a time when digital records are gaining importance, while the care of paper-based materials are a continuing concern. Unfortunately, the realities of the hybrid environment are not addressed adequately. As the author explains, “Electronic media are addressed briefly. The rapidly changing technology governing the creation, use, and preservation of electronic records is the subject of a growing body of specialized literature, to which there are references in the bibliography” (xix). While digital preservation poses different challenges than the preservation of analog materials, a book published in 2010 is expected to cover the breadth of preservation of archival materials.
The book’s strength is the history, construction, and care of paper manuscripts and books. Comparatively, photographs and audiovisual material get brief mention. However, Ritzenthaler’s other recent book, Photographs: Archival Care and Management co-authored with Diane Vogt-O’Conner, covers all aspects of photographic access and preservation.
Preserving Archives and Manuscripts is the final title in the Society of American Archivists’ Archival Fundamentals Series II and is the lengthiest of the six-volume series. Overall, the book presents information to create an effective, efficient preservation program, given an institution’s resources. Ritzenthaler believes that when records of enduring value are treated with care throughout their lifestyle, the amaranthine balance between preservation and access is achieved.
Monday, January 10, 2011
From a recent New York Times article:
Bindu Wiles was on a Q train in Brooklyn this month when she spotted a woman reading a book whose cover had an arresting black silhouette of a girl’s head set against a bright orange background.
Ms. Wiles noticed that the woman looked about her age, 45, and was carrying a yoga mat, so she figured that they were like-minded and leaned in to catch the title: “Little Bee,” a novel by Chris Cleave. Ms. Wiles, a graduate student in nonfiction writing at Sarah Lawrence College, tapped a note into her iPhone and bought the book later that week.
Such encounters are becoming increasingly difficult. With a growing number of people turning to Kindles and other electronic readers, and with the Apple iPad arriving on Saturday, it is not always possible to see what others are reading or to project your own literary tastes.
You can’t tell a book by its cover if it doesn’t have one.
Read more here.